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MARCH PERFORMANCES
IN NEW ORLEANS
The players Sipiwe Moyo, of Big Apple Playback Theatre (NY);
Jiwon Chung, of Living Arts
Theatre Lab (CA), Davis Rodriguez and Pamela Freeman, of Playback for Change;
and Jonathan Fox, of the School of PT (NY)
The performances
Audubon School (2 shows), Ashe Cultural Center, Upstage Theatre (Baton
Rouge), and the Israelite Baptist Church
Photos by Sipiwe Moyo and Jonathan Fox
  
Features
>>The team rehearsed with
the new NOLA playback theatre and included NOLA members
in two of the performances
>>Documenters from the Neighborhood Story
project, a local initiative, recorded performances and interviewed audience
members
>>Counselors from the Tulane University
Department of Social Work were on hand to assist tellers after performances
>>The team consisted
of all persons of color, plus Jonathan Fox. Pamela Freeman conducted all
shows.
The response
Tellers responded with great eagerness to the chance to tell their story and
see it embodied on the stage, and there was a general feeling of gratitude
afterwards.
  
A playback
story "My husband and I couldn't let all
our belongings rot in our ruined house, so we decided to clean it out
ourselves. The hardest thing was throwing away our kids' things, breaking up the
crib. But we did it. Everything went out on the street. Except my grandmother's
grand piano. Of all my brothers and sisters, it came to me in New Orleans. Now
we've gutted the walls, the floor, the roof. But the members of my family cannot
bring ourselves to touch the piano--not yet. Three keys still play. It is
sitting there on a piece of plywood, in a house with no roof or walls. We still
have to deal with it."
A performer's impression "This has been the most
challenging and exciting playback theatre I've ever done. I felt overwhelmed at
first, but once I realized we could do it, I'm just so grateful to be here doing
what we can."
Reactions from the audience
“When
I was watching, it encapsulated the feelings that I tried to say…it helped move
my story along. I kind of thought, ‘What about my story? It needs to be heard,
too.’ And this gave me that chance.”
“I
liked it. It was helpful. It’s quite eerie. They got stuff that I didn’t
say to them…didn’t tell them about in the story…they did an excellent job.”
“Well,
I just felt so comfortable with them that I opened up…this is the first time I
told my story. Thank you.”
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Organizing Principles
Networking

Making contact and building relationship with leaders of
organizations whose membership we want to bring playback theatre to.
Programming
Planning for performances and workshops.
Logistics
Arranging for travel, housing, on site transportation, food, and other practical
needs.
Acquiring background
Reading background material beforehand, listening keenly once on site.
Fund raising
Obtaining funds to finance the project.
Sustainability
Initiating and supporting a local permanent playback theatre company.
Congruence
Insuring that the racial make-up of the pt team matched that of the majority of
our audiences in New Orleans and holding a special workshop for people of color
working in playback in preparation.
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